"Ah, that—that I felt a delicacy about asking." This made his companion thoughtful again. "Can you take such pleasure in her being 'finished'—a poor girl you've once loved?"!

"She'll have it to herself." "He has done it," said Mrs. Gereth, turning her eyes avoidingly but not unperceivingly about her and in spite of herself dropping an opinion upon the few objects in the room. Fleda, on her side, in her silence, observed how characteristically she looked at Maggie's possessions before looking at Maggie's sister. The girl understood and at first had nothing to say; she was still dumb while Mrs. Gereth selected, with hesitation, a seat less distasteful than the one that happened to be nearest. On the sofa near the window the poor woman finally showed what the two past days had done for the age of her face. Her eyes at last met Fleda's. "It's the end."

"I can't tell you what it is to me to feel you on my side!" Owen exclaimed. "Nor his mother, miss—not a soul of them back. A pack o' servants in charge—not the old lady's lot, eh? A nice job for care-takers! Some rotten chimley or one of them portable lamps set down in the wrong place. What has done it is this cruel, cruel night." Then as a great wave of smoke half choked them, he drew her with force to the little waiting room. "Awkward for you, miss—I see!" Fleda had more than one small errand in the big bazaar, and he went up and down with her, pointedly patient, pretending to be interested in questions of tape and of change. She had now not the least hesitation in wondering what Mona would think of such proceedings. But they were not her doing—they were Owen's; and Owen, inconsequent and even extravagant, was unlike anything she had ever seen him before. He broke off, he came back, he repeated questions without heeding answers, he made vague, abrupt remarks about the resemblances of shopgirls and the uses of chiffon. He unduly prolonged their business together, giving Fleda a sense that he was putting off something particular that he had to face. If she had ever dreamed of Owen Gereth as nervous she would have seen him with some such manner as this. But why should he be nervous? Even at the height of the crisis his mother hadn't made him so, and at present he was satisfied about his mother. The one idea he stuck to was that Fleda should mention something she would let him give her: there was everything in the world in the wonderful place, and he made her incongruous offers—a traveling-rug, a massive clock, a table for breakfast in bed, and above all, in a resplendent binding, a set of somebody's "works." His notion was a testimonial, a tribute, and the "works" would be a graceful intimation that it was her cleverness he wished above all to commemorate. He was immensely in earnest, but the articles he pressed upon her betrayed a delicacy that went to her heart: what he would really have liked, as he saw them tumbled about, was one of the splendid stuffs for a gown—a choice proscribed by his fear of seeming to patronize her, to refer to her small means and her deficiencies. Fleda found it easy to chaff him about his exaggeration of her deserts; she gave the just measure of them in consenting to accept a small pin-cushion, costing sixpence, in which the letter F was marked out with pins. A sense of loyalty to Mona was not needed to enforce this discretion, and after that first allusion to her she never sounded her name. She noticed on this occasion more things in Owen Gereth than she had ever noticed before, but what she noticed most was that he said no word of his intended. She asked herself what he had done, in so long a parenthesis, with his loyalty or at least his "form;" and then reflected that even if he had done something very good with them the situation in which such a question could come up was already a little strange. Of course he wasn't doing anything so vulgar as making love to her; but there was a kind of punctilio for a man who was engaged.